PF: Who or what has influenced your work the most?
My practice is primarily a way for me to process images that stick in my mind. I approach this in the way I feel the world works, in a constant state of chaos and calm. I flick between the two opposing methods, disrupting and restoring until I have created a vision close to a fever dream.
PF: Walk us through your creative process?
My work is influenced by pockets of situations and happenings in the world. I am less concerned with representing an object as a singular, static image and more interested in the cycles that make them. I translate this continual process into my paintings, recreating the environment as well as the subject.
PF: What do you want people to feel or take away from your art?
I would like the paintings to require time and attention, so the act of looking and understanding the image reflects my process.
PF: If you could have dinner with any artist who would it be?
I would have dinner with Charles Jencks.